Color is meant not just to be seen, but experienced.
Color has characteristics beyond their mere appearance. An individual color possesses its own luscious texture, mixing quality, emotional resonance and historical significance in painting. When you squeeze oil color from one of our tubes, you experience color at its maximum.
Get insights on our oil colors, pigment history, color mixing, artists’ color stories and more. We welcome you to Experience Color.
Approach to Colormaking
Our mission is to lead oil painting and printmaking into the future. To us this means crafting materials as they ought to be, not just as they have been.
Authentic color. Naturally.
The nature of oil painting.
It’s the most used color after white. Here’s why Robert Gamblin loves it so much and why many of us can’t paint without it.
Traditional black pigments can easily make color mixtures “dirty.” Chromatic Black is different; it contains no black pigment.
These palettes can be used “as is”, or to provide a starting point for the development of custom palettes tailored to specific needs.
Being the best-known white does not make Titanium White the right choice for every artist. Select the right white for your work.
Portland Greys in color mixing yield predictable, yet very satisfying color mixtures for all genres of painting.
The world’s oldest group of colored material have been used by artists for over 40,000 years.
Fast Drying Oil Paint: FastMatte Alkyd Oil Colors
No one likes watching paint dry while trying to hold onto an idea. Take your painting further, faster.
Navigating Color Space
How to turn color theory into color mixing.
Hue, value, chroma, hue temp, and color family for all Gamblin’s Artist Grade colors.